Inherent Toughness in Girl Warriors: The Girls of The Last Airbender

This post is about the TV series, not the film, and contain spoilers.Avatar: The Last Airbender, also known as The Legend of Aang, is my favourite children’s TV series. Having watched the entire series recently with my partner, I rediscovered my absolute love for this show and now feel the need to gush about how awesome their female characters are. No wilting helpless damsels here! (Well OK, maybe just one.)

Katara

Katara is the only waterbender left in the Southern Water Tribe. When the series starts, she’s not even a very good bender. After she receives training at the end of season one, she becomes arguably the best waterbender in the world. She surpassed Aang’s waterbending, even when she was only a beginner and Aang had a lot more power than her. She became Aang’s teacher.

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I love Katara because she very easily finds the balance between being motherly and being a kick-ass warrior. Even though the waterbenders are modelled on Tai Chi, and their bending is more about using their opponent’s power against them, waterbenders can become very powerful. They also have the ability to bend water into ice and vice versa, and as a bonus, can also heal. At first, when Katara reaches the Northern Water Tribe, she is told that healing is women’s work and she’s not allowed to learn combat. This angers both her and Aang (and just about everyone who watches it) because we already know she’s a more than capable warrior. Later, she also learns to embrace her healing.

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To me, Katara is a perfect meld of feminine attributes and a less traditional feminine approach. She’s so resourceful that she even learns to bend water out of thin air and take the water from plants around her. In the end, she succumbs to the horrifying magic of bloodbending, which is a power she first refused but then embraced to save her friends. As Katara adjusts to her new all-powerful status, she begins to embrace her anger and eventually she and Zuko go off to find the Southern Raider who killed her mother. While Katara embraces her massive power, in the end she decides to let the man go. She finds the balance with her supreme power, and doesn’t let it go to her head. For that, I admire her.

Toph

Toph is the strongest, best earthbender in the world, and the least girly girl in the entire show, but she thinks it’s fine to be that way because she’s blind and doesn’t care for physical appearances. One of the best things about Toph is that appearances mean so little to her: she develops this crush on Sokka because he’s hilariously funny, not because he’s cute. Toph doesn’t care about her appearance or even very much about her hygiene – she works with earth all day and is often covered in dust. When she and Katara take a girly day in the Tales of Ba Sing Se, she confesses to Katara that it’s nice to be girly for a change but it’s not who she really is. As some spoiled rich bimbos walk by and taunt her for looking ridiculous, Toph does what she does best – her earthbending. She knocks the girls into the river and Katara washes them away.

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One of my favourite Toph moments is when she stops the library from sinking. Toph hates sand because it makes her feeling-vision look fuzzy. She had to make a very difficult choice between saving Appa and saving everyone else. Aang, understandably, is very upset. Toph doesn’t cry much (not like Katara) but you can tell how upset she is at losing Appa. She is so strong in that moment, and you realise just how good she is at earthbending.

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When Toph is shown in the Ember Island Players’ version of Avatar events, she’s represented by a big, burly bloke, who says his name is Toph because it sounds like ‘tough’. Toph thinks it’s cool to be cast as a man, but I think it’s interesting more than anything else. Toph is so tough, stubborn, and unmoveable that it’s seen to be unfeminine. The Players believe Toph is a man just because she’s so tough. But she’s not. She’s a very tough blind little girl who often punches people to show affection and never lets anyone push her around. She’s admirable. She may be a tom boy, but she still enjoys her girly time with Katara. It’s interesting that the play within the show made her a man, because she has many attributes that are seen as traditionally masculine.

Suki

What can I say about Suki that isn’t totally gushing? Nothing. I love her to bits.

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Suki is an Earth Kingdom citizen and a highly trained Kyoshi warrior – named after the island on which she lives and is trained, and also after Avatar Kyoshi, the first female Avatar that we learn about. She is so incredibly amazing, as the Kyoshi warriors are trained to use weapons and stealth. She’s physically agile, but she’ not gifted with bending powers. Suki and the other Kyoshi warriors teach us that you don’t need bending to become a great warrior. Suki’s introductory episode shows us the worst side of Sokka (and even though he’s my favourite character, I hate him in this episode). Early on, Sokka believes very strongly in the distribution of women’s work and men’s work. He can’t believe that a ‘bunch of girls’ are better warriors than him. In the end, he learns from his mistake and begs Suki to teach him. It’s interesting to note that the Kyoshi warriors wear clothing that strongly resembles kimonos, and make-up that strongly resembles a geisha’s. They clearly show in their armour that they are women. Later, in season 3, Suki is one of very few female prisoners kept on the Boiling Rock, a maximum security prison. While Sokka, Zuko, and Sokka’s dad Hakoda start a prison riot, Suki takes the warden captive in an impressive physical feat. Hakoda says, “That’s quite a girl,” and Sokka gets a dreamy look on his face as he agrees.

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To me, this is one of the best moments for female warriors in Avatar. The men clearly admire Suki because she’s physically bested everyone in the entire prison. Sokka has moved on from being a misogynist to falling in love with a woman for her daring, bravery, and physical skills. And she’s generally just totally awesome.

Princess Azula

Azula is a firebending prodigy, and one of the most dangerous people in the entire show. She’s a princess and rules through using fear to control others. I think it’s admirable having such a wonderful character as a main villain. She’s so confident that she’s perfect in every way, and generally she is. But she’s also conflicted because she knows her mother favoured her brother, Zuko, thinking that she was a monster. Azula knows this is true, but it still hurts her. She’s mean, cruel, and enjoys inflicting pain and distress on others.

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I admire Azula for being Azula, but there’s an interesting moment in her development where she totally fancies the pants off a Fire Nation boy and attempts to compliment him, and it falls short (“You better watch you don’t cut anyone with that outfit, because it’s so sharp.”) The thing is, with her strong will and desire to conquer, coupled with her belief in her divine right to rule, she often intimidates a lot of the people around her. When she tells Ty Lee that she only gets a lot of male attention because she makes it too easy and is a tease, she ends up apologising and then confessing that she’s jealous. Ty Lee then advises Azula to laugh at everything the boy says, even if it’s not funny. Azula takes this advice, scores a boy, then ruins it all when she declares she and the boy will be the most powerful couple in the Fire Nation and rule the world.

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Azula is so adept at using her superior firebending to control others that she is shocked at Mai’s betrayal on the Boiling Rock, where Mai helps Zuko to escape. Mai tells her that she loves Zuko more than she fears Azula, and the princess tells her, “You should have feared me more!” before attacking. Ty Lee saves Mai’s life using her chi-blocking punches, and then Azula realises she has been betrayed by her best friends. This leads into my favourite downward spiral of any TV show villain: Azula becomes paranoid at the betrayal, and drunk on the power her father has granted her. She ends up banishing all of her staff for petty reasons. With no more support, Zuko takes advantage of her deteriorating mental state, and he and Katara manage to defeat her. I love this mental spiral for Azula: it shows us that her defeat was her own fault, that the entire show has been building up to this showdown.

Mai & Ty Lee

Mai and Ty Lee are Azula’s best friends. Neither of them are firebenders, but they are both very capable warriors. Mai is an expert at throwing knives, and Ty Lee is superior in hand-to-hand combat, and, along with her flexibility and circus-trained agility, is the only person who knows how to block a person’s chi, making them unable to bend or even stand.

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One of the coolest things about Mai is that when Zuko breaks up with her to go and join Team Avatar, she doesn’t get all weepy and mopey but tracks him down and yells at him. Take that, Bella Swan! Mai loves to fight because it offers a diversion of her normal, boring day. Easily bored and often pessimistic, Mai eventually turns on Azula and leads to her deterioration. At the end of the series, we see her get back with Zuko. I hope they get married and have lots of angry, gloomy little firebending, knife-throwing babies!

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Ty Lee is a total flirt and loves male attention. She was born one of six identical sisters, so she enjoys being different. She gives a direct contrast to Mai’s gloomy personality by being bubbly and energetic. It’s always fascinating watching her in contrast to Mai. Ty Lee will always do as she’s told by Azula, but Mai sometimes won’t even bother enough to fight back (like in the drill episodes in season 2). The most interesting thing about Ty Lee’s development is that when she stops Azula from attacking Mai, and she and Mai are locked away on the Boiling Rock, Ty Lee then befriends some of the Kyoshi Warriors. At the end of the series, she is accepted to become one of them. After her whole life trying to be different and stand out, Ty Lee becomes part of a group that wears identical outfits and make-up.

June

June is a travelling bounty hunter that recurs throughout the series. In a job often reserved for men, she is one tough lady. She’s so tough that she wins arm wrestles with bigger, burlier men. She fights in a casual kind of way while still keeping her tea in its cup. She’s also very confident, sassy, snarky, and very hard to push around. She’ll work for you if you pay her enough, but don’t expect her to be loyal. Uncle Iroh develops a sort of crush on her, because she’s just that awesome.

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Princess Yue

imageSpecial mention goes out to Princess Yue of the Northern Water Tribe, whom we only get to hang out with for a couple of episodes. I need to point out that Yue is the only non-warrior of the girls of Avatar, and as a major contrast, is also the only one who died. She’s physically fragile and needs to be guarded and looked after, and, like Bella Swan, the only way she can save her friends and family is to sacrifice herself. I think it’s a great lesson in the Avatar world: if you can neither bend nor fight, you are of little use or interest to the series and can therefore be sacrificed to save your people.

So, what do you think of these warrior girls in a children’s TV show? Is it good for our children to be shown just what girls are capable of? Do you disagree with what I’ve written? Do you have an alternative point of view? Let me know.

Contest: Kiersten White’s Supernaturally

Kiersten White, author of Paranormalcy (which is at the very top of my wish-list and I am so desperate to read) is hosting a really fun competition on her blog, Kiersten Writes, in honour of the ever-closer release date of the sequel, Supernaturally.

The object is to write a FAKE synopsis for Supernaturally based on this  gorgeous poster:

Hop over to her blog to read the other entries.

The contest is one of those rare international ones, and because I’m so excited about Supernaturally’s release I’m posting my entry here, as well. The deadline is the 15th of June.

Sarah Walker has always been a natural blonde, but because of the stigma and the constant teasing of her classmates, she covered it up with crazy coloured hair dye. Even her sweet but dopey boyfriend, James, preferred her blue and green hair to her natural shade. She and the rest of her clique piled on the make-up and forced themselves to look like raccoons and act like buffoons to please their peers. She’s always thought it was a little stupid, hiding who you are to impress others.

Now Sarah has moved to a new town and a new school with her father and his new tax-man boyfriend. Sarah is sick of hiding who she really is, and vows to be accepted as a smart blonde. She’s washed off all the make-up and the hair dye. She’s ready to face the world – super-naturally.

When Did Gaston Become ‘The One’? The Change In Romantic Leads In YA Paranormal Literature

*spoilers for Disney’s Beauty and the Beast, Meyer’s Twilight Saga, Fitzpatrick’s Hush, Hush and Kate’s Fallen*

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What is this 'Twilight' shit?

Remember in Disney’s Beauty and the Beast, when Belle is practically besieged by that ‘boorish, brainless’ Gaston? Remember how he’s the handsomest, manliest, most desirable man in the village? And remember how Belle refused him and fell in love with the gentle, kind, caring, yet ugly Beast?

Whatever happened to Beauty and the Beast ideals in Young Adult fiction – particularly paranormal romances?

Passive, Romantic Heroines

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ZOMGSHINY!

Nowadays, heroines like Bella, Luce and Nora choose to be with men far too similar to Gaston (drop dead gorgeous, way too controlling, and no outside interests besides their woman!). All we ever read about is how they’re so in love with their boys for no reason other than their looks. Their romance scenes are so charged up with sexual tension, and neither has any outside interests apart from each other. There is never any mention of the boys being sensitive, patient, kind, caring, gentle, a good listener and a million other attributes girls should fall in love with boys for. It’s only ever about their looks. Their personalities are never desirable either: Edward terrifies Bella with his mood swings and controls her every movement; Daniel constantly keeps Luce in the dark and swings violently between hating her and kissing her in unfulfilled passion; and Patch is a psychopath stalker who wants to murder Nora. And the thing is, these girls are more than happy to fall into the role of ‘damsel in distress’.

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Hey, you're not my ShinyBoi. You smell like wet dog. Get away from me.

The girls I mentioned above aren’t in control of their own stories and are too often a victim of circumstance. They would never choose the same things Belle chose. Belle chose not the marry Gaston, to go after her father, to enter the castle and take his place; and then she chose not to go to dinner with the Beast which led to her choosing to leave the castle when he bellowed “Get out!” and ended up being attacked by wolves. Can you see Bella Swan making any of these brave choices?

Me either
And so the Lion fell in love with the Lamb... and it was tasty with mint sauce.

Me either.

She fell for the hottest guy in the village school before she even knew anything about his personality – and also, when she already had whiplash from his mood swings and his “Let’s be friends/actually you need to stay away from me.” Would Bella/Luce/Nora fall for Gaston?

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You're ugly. I can't love you. You respect me too much. And you're not even shiny.

Yes.

Asshole Heroes

And then there’s Gaston, who, once refused, tries to force Belle to marry him by putting Maurice in an insane asylum to force her hand. Gaston is just like the boys of YA paranormal romance I despise, trying to control the girl he wants, even if it impacts on her negatively. He doesn’t care beyond making Belle ‘his’ and he’ll do the most despicable thing to earn her: including eliminating the competition.

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"Gaston... Bruce Campbell called... He wants his chin back."

Now, while the love triangles in YA paranormal romance don’t often go to this extreme (the boys don’t often want to kill each other), they do play dirty. Edward gets his sister to kidnap Bella to keep her away from Jacob, and Daniel actually fights Cam, if my memory serves me right (I don’t remember it very well, because I’ve tried to wipe Fallen from my memory). Patch even sexually assaults Nora, and plots to kill her. What kind of a role model is this, who goes back to him after being mentally and emotionally abused? What kind of role models are Daniel and Patch and Edward to aspire to – men who tell their women what to do, emotionally abuse them, and control them as if they have no will and autonomy of their own?

Let me reiterate this to you, ladies of the 21st century: Assholes are not sexy.

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Assholes. NOT sexy. End of story.

Brooding Beasts

Where are all the boys who are more like the Beast? Someone who is gentle and caring and will let you go if you need to. Someone who waits for you. Someone who won’t abandon you no matter what, and has no interest in anyone else (romantically) besides you? A boy who will not try to control you (he let her go, didn’t he?) and after Belle ran away from the castle, I’m pretty sure (as in, I know) she came back of her own free will and chose to stay there. Even though the Beast says, “You’re no longer my prisoner,” she hadn’t been his prisoner for a long time. Sure, at first she was a prisoner, but even so, the Beast treated Belle with a lot more respect than a lot of YA boys do their own women. And what happens when Bella meets Jacob and Luce meets randomly-created-love-triangle-guy (had to look up his name, it’s Miles)? They’re both sweet, caring, lovable guys. In fact, Bella ends up falling in love with Jacob. She just loves Edward more. Because he’s shiny. And she’s a twit. Luce feels the need to kiss Miles even though she’s so sure she’s in love with Daniel – because he’s shiny. And she’s a twit. Are you seeing the pattern here?

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I don't know about you, but I always kinda preferred him this way. I think it's the cloak. Or maybe the horns.

Inevitable Love Triangles

Where is the beauty in falling for a gorgeous hunk of manliness who wants nothing more than claim you for his own? So he’s hot: does that give him the right to be a chauvinistic narcissistic prick? Some girls would love this: some girls aspire to be trophy wives. That’s fine, if it’s your thing. But I don’t want to see millions of girls reading these types of stories and thinking that the only thing they need to aspire to is to be in a relationship with some really hot guy with no personality.

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I love ME! Who do YOU love?

You know why these girls always end up in love triangles and genuinely can’t seem to choose for a while which guy they want? Because the ZOMGSHINYTRUELOVE4EVA guy isn’t really that great. That’s why Bella kisses Jacob, and Luce kisses randomly-created-love-triangle-guy (Miles). If Belle was as stupid as these YA heroines, she’d make out with Gaston for a while because ZOMG HE’S SO HOT!!!

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What do you mean, I'm not your type?! I'm EVERYONE'S type: I'm gorgeous!

Actually you know what? If you wanna be stupid and go fall in shallow, materialistic, looks-based love, go for it! You can take Gaston and become his baby factory to his ‘six or seven strapping boys’ and massage his stinky feet. I’ll live with a gentle, kind, caring man who turns out to be the prince that learned to love.

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You mean, you're not a big brooding beast? Oh OK, I'll still take you.

Ladies of YA paranormal romance, for the sake of my sanity, please find a real man that isn’t afraid to show you he cares, to open himself up, and can be a weathered rock in a storm. Give me a Beast any day and let the Gastons, Edwards, Daniels and Patchs go back to being an annoyance.

Round, Round, The Fairy Ring: Finally Finished!

My newest short story based on fairy myths called ‘Round, Round, The Fairy Ring’ is finally done. That also means that the first draft of the Tina Storm: Demon Hunter short story collection is also complete! *runs excitedly in tiny circles*

Abigail likes her new house, but not her new baby sister. She’s sick and cries all the time. Then Abigail discovers that Sarah’s miraculous recovery is the result of the fairies that live in the forest outside her new house, and she knows that she is the only one who can get rid of the changeling imposter and bring her family back together.

It will be published in the Tina Storm: Demon Hunter short story collection later this year.

The story was very loosely inspired by fairy myths and stories I grew up with.

What I’m Working On I

I want four short stories to accompany my 5 Tina Storm: Demon Hunter short story collection. Currently I have three completed that fit in with the paranormal genre: guardian angels, ghosts, and one that’s so odd and non-type specific that I only know it’s paranormal (that’s The Archive of Lost Dreams).

As a side note, I was trying to rewrite a story I wrote when I was a teenager about a witch that visited the Underworld, but it just wasn’t working. So I gave up and decided to write an new urban story. After all, there is great joy in writing something entirely new.

My newest story is about fairy changelings. It’s my first fairy story ever, and I’m very excited about writing it. Once again, like Don’t Even Peep and The Archive of Lost Dreams, the protagonist is a very young girl. I think she’s seven or eight – these things can be hard to judge, and unless she turns around and tells me exactly how old she is, I’m not going to know for sure (much like Susan in Don’t Even Peep).

I’m focusing on producing classic types of stories for the collection, because short stories can be hard to sell (especially if it’s only a small collection). I’m using elements everyone recognises such as vampires, werewolves, and sirens; as well as lesser utilised demon types such as djinn (genies) and reapers.

Hopefully this small collection will bring new readers to my larger books, even though none of them are very mainstream.