Just a quick reminder on The Edge of Darkness giveaway

My international giveaway of my first published novel, The Edge of Darkness –  a soft sci-fi dystopian about cyborg former prisoners of war in space and their mutiny aboard an old transport ship – closes in roughly seven hours. For everyone who’s subscribed to my blog recently and not commented on this post, you’re missing out on the chance to win a free book.

The Goodreads giveaway, which ended earlier today, ended up with a whopping 808 requests and 146 adds to to-reads lists. I’m overwhelmed by this attention – although I know a lot of people on Goodreads just want a free book, I’m still a little intimidated by what the genuinely interested people are going to think of it.

The Edge of Darkness will be available for purchase soon in paperback format and in ebook format. I’ll let you know when this happens, so stay tuned.

Disney’s First White Princess in 20 Years: Tangled’s Rapunzel

imageAs I said in yesterday’s post, I love Tangled. It was initially conceived in 2003, released in 2010, and follows the adventures of a young princess who doesn’t know she’s a princess (Rapunzel), and a decent guy pretending to be a ruffian (Flynn). I never really liked the original fairy tale. I found it boring. In this version they actually explain how it’s possible for hair to grow 70 feet (it’s magic). I find Rapunzel the most human and relatable of all the Disney Princesses: she obsesses over small things, get anxiety and fears the big wide world.

Rapunzel’s Fear

image
She's armed, uncertain, wary, and dangerous.

However, Rapunzel’s fear is entirely from an outside influence. She’s been raised to fear the world outside her tower for eighteen years. Her mother figure sings an entire song about all the frightening things waiting for her out there, including men with pointy teeth, poison ivy, quicksand, the Plague, cannibals… not only using the outside dangers, Gothel insists that Rapunzel is too “Gullible, naïve… Ditzy and a bit, well, hmm vague…” to handle herself out in the real world. And then just to top off her fear and insecurities, Mother Gothel guilts Rapunzel into staying locked up in her tower by reminding her that she’s the only one Rapunzel’s got, that she raised and loved and fed and nursed Rapunzel and that wanting to leave the tower is no way to repay someone who sacrificed everything to keep her safe.

image
The most manipulative of mothers.

Rapunzel, being the good, dutiful, domestic daughter that she is, succumbs to parental pressure and submits to Mother Gothel’s will. Even in the event of Flynn Rider climbing her tower and intruding on her solitude, her first reaction is to keep herself safe by interrogating him to find out if anyone else knows her location. This is the blazing start of Rapunzel’s bravery. She locks Flynn in her closet, impressed with how she handled the situation, and tries to explain upon Mother Gothel’s return that she’s been underestimated and she can look after herself. Mother Gothel, of course, scares Rapunzel into backing off, but Rapunzel appeals to Gothel’s motherly nature by asking for a birthday gift that will take some time to acquire. Now that her mother is out of the way, Rapunzel can talk freely with the ruffian locked in her closet.

image
Rapunzel negotiates with Flynn.

Rapunzel’s Bravery

Once Rapunzel and Pascal realise Flynn isn’t there to steal, cut, or sell her hair, the unknowing princess comes up with the bright idea that Flynn can escort her to see the floating lights/lanterns she’s watched from her window every year on her birthday for her whole life. Of course she needs a guide: she’s so wary and intimidated by the outside world, and her mother’s disapproval, that she needs any kind of help she can find. Blackmailed, Flynn agrees to escort her. Now Rapunzel is able to take the first step out of her tower in eighteen years. This is where she really begins to shine.

image
Rapunzel's first steps.

First she has a crisis of conscious, which I pretty much find hilariously funny, in which she struggles with her desire for freedom and her wish to keep her mother happy. She outwits the thugs who want to claim the reward on Flynn’s head by appealing to their better nature, she escapes when the guards chase her and Flynn through a dam and she rescues Flynn as well. The two get trapped in an underwater cave, and while Flynn now genuinely seems to care for her, she is, once again, the one to save them with her magical hair that glows when she sings. Who needs an escort? Oh yeah, Flynn does. Rapunzel has rescued him numerous times by now, and healed his injured hand. Seriously. Flynn doesn’t do any rescuing in this film at all. That’s how cool Rapunzel is.

image
Rapunzel rescues Flynn from Maximus and develops a strong bond with the horse. Typical Disney Princess animal magnetism.

And then they see the lanterns, which is Rapunzel’s lifelong dream. It’s so pretty. It’s been compared to Bell and Beast’s ballroom scene in Beauty and the Beast. And yes, this is when I start crying. in my defence, it’s because I identify so strongly with Rapunzel and I’m so emotionally involved in the film and also, I only cry when there’s that shot of the King and that single tear running down his face… eighteen years later and he’s still torn up over losing his baby girl.

I'm allowed to be sad at this point!

Rapunzel Returns

Unfortunately, things have to end up going bad somewhere. I mean, a film needs conflict, right? Otherwise we’re watching a film where nothing happens, there are no stakes, there’s nothing to be worried or concerned about… you know, the exact reason Stephenie Meyer wrote James the vampiric tracker into Twilight, so there would actually be something at stake beside Edward Cullen’s virginity.

image
Oh yes, I went there.

Mother Gothel is a crafty villain. I don’t often write about the villains in these Disney posts because I focus on the princess, but Mother Gothel often gives the impression she genuinely cares for Rapunzel – I think it would be hard not to care for someone after raising them for eighteen years but hey, some parents here in the real would should be sterilised or licensed or something. Gothel manages to outwit Flynn’s allies/nemesis into working for her to dispose of Flynn, and convince Rapunzel that she was wrong about the world, that Gothel was right, and that everything would be better if Rapunzel just returns to the tower and pretend her little adventure never happened.

image
She's wickedly devious and a backstabbing b*tch to boot.

Rapunzel falls into some sort of depression over Flynn’s sudden ‘betrayal’, but she quickly has an epiphany and figures out that she’s the lost Princess the lanterns are lit for… I mean, they share a birthday, a name, the same golden hair and the same enormous green eyes, why did no one else notice Rapunzel was the missing princess? Mother Gothel should have been smart enough to rename and give the princess a new birthday when she kidnapped her, really. I have a hard time Flynn didn’t make the connections necessary but I resolve this by believing Flynn is from an entirely different kingdom and doesn’t know this essential information. When Flynn escapes his captors and comes after her – finally, to rescue her – he is abruptly killed by the very woman Rapunzel trusted her whole life. So yeah… when Rapunzel tries to rescue thing, she’s successful like seventy billion times but Flynn? When he tries a rescue, he gets killed.

image
Flynn climbs the tower.

But fear not! Rapunzel can heal injuries with her hair. Cool, right? Except that Flynn, having figured out the entire situation, cuts off her hair before he dies in her arms. Now there is no reason for Rapunzel to stay in hiding, and as an added benefit, Mother Gothel does the typical Disney Falling Villain death. But still, after all the pain and fear and betrayal, Rapunzel can’t help but reach out to her. Because she’s a lovely princess.

image
If a little bit daft as the film begins...

Turns out that it’s not just her hair that’s magical. Her tears are, too. in fact, her tears can bring the dead back to life. So Flynn is resurrected – thank goodness not as a zombie – and they go to royal castle and Rapunzel is welcomed back as the lost princess and everyone lives happily ever after.

image
YAY KISSING!

A Background on Tangled and Gender-Neutral Princess Marketing

I LOVE Tangled. This is no secret to anyone who wants to talk Disney with me, or hangs out with me on Facebook. I love it. I love it, I love it, I love it. I think Disney has taken the best bits about every single Disney Princess film, mushed them all together, learned from their mistakes, and turned out not only their greatest Princess film, but possibly their greatest film of all time.

And that’s saying a lot, because before Tangled came along, Belle was my favourite Princess (5th Princess, Beauty and the Beast film released in 1991), and The Lion King (1994) was my favourite film.

I guess I love Tangled so much because I identify with Rapunzel. She’s been afraid to leave her tower for eighteen years. I didn’t move out of home until I was 21, because I thought it was some kind of big deal and I wouldn’t be able to handle myself out there in the big wide world. Turns out I was wrong. I even moved to the other side of the planet to be with the man I love.

This was me for the first 20 years of my life.

But not only that, Disney learned a lot from their Princess and the Frog marketing campaign, Pixar’s success, and Princess films in general. The problem with Princess films, and the Princess marketing in general, is that it’s primarily aimed at girls, young girls. Sure, there are boys out there who love one or several of the Princess films (my hubs-to-be thinks Mulan kicks butt and often sings to the soundtrack) but the whole marketing campaign is very gendered to appeal to girls. Taking a look at Pixar, which Tangled very assuredly imitates – Pixar films are about boys. They are about male leads and male problems and very much appeal to everyone, boys, girls, adults of all genders, families. Yes, there are girls in Pixar films – that’s not what I’m arguing. All of the Pixar leads are male. Pixar knows that male-led films are gender neutral (!!!) and appeal to both boys and girls (take Harry Potter, for example, which appeals to everyone) and girl-led films primarily appeal to females (take Twilight, for an extreme example, even though it’s a romance). Disney could have marketed The Princess and the Frog as a male-female buddy road trip, but they focused on Tiana as the Princess. Her film sold reasonably well – better than recent films but not as well as any of the other Princess films.

The title changed a few times trying to find the right marketing angle.

Then Tangled came along. Initially titled Rapunzel Unbraided, Disney knew they had to take a step away from their hand-drawn Princess-marketed films and take a step closer to the direction their recently acquired Pixar animation staff were used to heading in: appealing to a bigger audience than just girls. They needed the Pixar animation, and they needed an appealing male co-lead.

Yes, Rapunzel is the film’s lead. But they gave her the best well-rounded male character companion of any Disney film: Flynn Rider. Ten times better than Naveen, deeper than the Beast, more appealing than Eric and more adventurous than Aladdin, Flynn, like Tangled, takes the best of the Disney boys and distils them with an excellent result. And the marketing department was saying all over the media that this isn’t just a Princess film, it’s a boy’s film too. Disney defended their marketing decision, which was criticised, by saying it’s not just a film about Rapunzel.

Flynn and his smoulder.

And guess what? It worked. Tangled spent 6 years in production and cost $260M to produce, which makes it the most expensive animated film of all time. I’m not sure it’s pure coincidence that it’s Disney’s 50th animated feature film, but after 49 attempts (and some very good gems in the meantime), I think they finally nailed it. It received generally good reviews from critics and it is also the second highest grossing animated film ever made by Disney, behind The Lion King, and it’s the fifteenth highest grossing animated film ever made. It’s critically and commercially one of Disney’s greatest films.

I love the Princess films. I love that I’m a girl and can feel no shame in loving the Princess films. But I’m also ecstatically happy that Tangled, which is a Princess film, has finally hit the right marketing angle and the right storytelling angle to appeal to a wider audience. While yes, I do recognise Disney’s desperation to reach for a wider audience, I think they made a better film for it. The only thing – literally the ONLY thing – that I dislike about Tangled is one of the characters – a suggestive geriatric dressed as a baby Cupid. That’s a personal taste thing, though.

Tomorrow I’ll post my Disney Dissection of Tangled.

Birthday Book Bonanza

I’ve been living in England away from the majority of my books back home in Australia for sixteen months now. Knowing that I will want to ship home any books I buy here in England (my visa is only for 24 months) I’ve really cut back on my book spending. I don’t remember the last book I bought, but I’m pretty sure it was in 2010. Divergent doesn’t count, because my hubs-to-be bought it for me Smile with tongue out.

So when I had my 25th birthday last Friday, I was pretty stoked with the stash I got. It’s all Young Adult, and some are debut novels which I’ve taken a particular interest in.

image

Angel novel. Debut. From my parents.

image

Zombie novel. Debut. From my parents.

image

Vampire spin-off from my favourite contemporary YA series, Vampire Academy, from my hubs-to-be.

image

YA novel… not sure yet if it’s urban fantasy or paranormal romance. It sounds pretty awesome – I follow the author on Twitter and she’s hilarious. Debut. From a friend in Australia.

image

This revolves around the work of Edgar Allan Poe, my favourite poet. I think it’s a paranormal. Debut. From a friend in Australia – this isn’t for sale in the UK just yet.

image

I am awaiting an ARC of this book from a bloggy friend, Penelope, from The Reading Fever – she’s the host of the Foreign Cover Friday bloghop I sometimes participate in. It’s a sci-fi.

Tina Storm: Demon Hunter gets her own novel

When I first started writing the Tina Storm: Demon Hunter Paranormal Short Story Collection, it was basically an excuse to take a break from creating an entirely new world and mythology in The Innocence Saga and have a go at writing something based in reality. By based in reality I meant a normal teenage girl, a bit of an outsider, goes to school, hunts demons with her family, you know the usual kind of…

Oh yeah, that’s not normal. But I did use the opportunity to hammer out some short stories using creatures I wouldn’t normally write about: vampires, werewolves, fairies, djinni, ghosts. I love my short story collection. It’s going on sale in e-book format later this year, and I’ll consider turning it into a paperback but I’m aware it’s only a small book. My editor is working on it as I type.

A few nights ago as my future in-laws took hubs-to-be and I out for a meal to celebrate my 25th birthday, I got thinking about adding some extra stories into the collection to beef it up a bit. I couldn’t really think of any more paranormal tropes other than an ancient curse. The only thing I really wanted to write about was to expand a very badly written one act play I attempted when I was eighteen about a coven of witches. The idea wouldn’t fit into 5000 words, let alone 2000.

So Tina jumped into my head and demand I write her an entire urban fantasy novel about the time she and her mother infiltrated a witches’ coven.

I said, “Go to the back of the queue!”

Maybe that’s what I’ll write come November for NaNoWriMo. It’s either that or the first book of the second YA high fantasy I’m planning, with the three leads bound and gagged in the back of my head so they don’t bother me while I’m writing A Partridge in a Pear Tree. Although I rather like the idea of writing someone not high fantasy for Nano, because it’s out of my comfort zone, like I did with The Edge of Darkness.

Being an author is hard totally awesome.