Disney’s Would-Be Princess: Giselle from Enchanted

imageEnchanted is an interesting film. It was released in 2007, nine years after the last Princess film, Mulan, and marketed as a Princess film… that is, until Disney realised their cartoon Giselle was based on live-action Amy Adam’s looks, and they’d have to pay her to use her likeness as a part of their merchandise. Giselle is built on the wide-eyed innocence of the early Disney Princesses, Cinderella, Sleepy Beauty and especially Snow White. The film is at the same time a homage to classic Disney while parodying it. While it’s not a favourite film, because of its parody I do find it hilariously entertaining. It’s only fit to include Giselle in my Disney dissections because she was very close to being an official Princess.

Into The Woods

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Did I mention Andalasia is a cartoon land?

The film begins with a wide-eyed and completely one-hundred per cent innocent Giselle talking and singing to her talking animals friends about what her True Love would be like, and the Kiss they will inevitably share. Unlike most Disney Princesses, both of Giselle’s parents are absent. She believes that “lips are the only things that touch.” I hate to bust her bubble, she’s just so happy being oblivious. Soon after, her *gasp* ShinyTrueLove Prince Edward (could that have CHOSEN a more tween-romance-loaded name?) rescues her from a troll and they pledge to be married the next day, riding off into the sunset singing duets and acting all lovey-dovey. But the next morning, Edward’s evil step mother Queen Narcissa, convinced that if Edward married then she shall lose the crown (I don’t know how that works, the same way the Jasmine marrying Aladdin turns him into the Sultan, I guess! I mean, if she married the king, Edward’s father, after his birth mother had died, then the crown would have passed on to him when his father died. I don’t pretend to understand: it’s Disney, after all!) tricks Giselle into a magic portal that throws her from Andalasia into New York City.

Disney has conditioned us to believe that this is an entirely normal sort of dress for someone to wear…
… when in reality it looks completely over the top.

Into the City

Completely overwhelmed by the city, Giselle wanders around, getting rained on and pushed around by typical impolite New Yorkers. She’s so beguilingly innocent she tries to make friend with a homeless bum who steals her tiara. Then when Lawyer McDreamy rescues her, and sarcastically welcomes her to New York, she looks at him with wide eyes and genuinely thanks him. McDreamy’s daughter is convinced Giselle really is a princess because she’s wearing a ridiculously enormous dress. At the behest of his daughter. McDreamy takes in Giselle who, in true Disney Princess style, gets everything she wants.

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Including a dress made out of curtains. That’s right: curtains.

Without realising it, Giselle and McDreamy end up on a date while she tries to explain to him what true love is all about – which cracks me up because he’s a single dad divorce lawyer and she’s never even been in love. Poor silly little girl. but it’s still sweet, in an annoying kind of way. She has full faith that Edward will find her, and when he does, she’s learned enough about the world to want to date him instead of going home to Andalasia right away and getting married. But while some of McDreamy’s cynicism and real-worldness has rubbed off on her, she’s given him some of her idealism and optimism.

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Maybe it’s the fact that she’s so utterly trusting and naive. Some blokes go for that.

Into the Ball

The King and Queen’s Ball is part of Giselle’s deal-making date. She and Edward attend, although Edward and McDreamy’s long-term girlfriend Nancy can clearly see something is going on between the two. It is at this point that Giselle realises she’s not in love with her ShinyTrueLove Prince, but before she can tell McDreamy, Queen Narcissa poisons her a la Snow White – seriously, we’re constantly told not to take sweets from strangers! When will these dumb bitches sweet, innocent Princesses learn? Giselle is awakened from her poisoned stupor by McDreamy, and in a rage Narcissa turns into a dragon and takes him hostage. Now, this is where the film got cool – for all of about ten seconds. Giselle races after Narcissa with a sword, climbing a tower in the rain to get McDreamy back. But it’s not Giselle who actually saves him – nope, it’s her annoying useless non-talking ball of fluff rat chipmunk pal that destroys Narcissa. Let down or what?

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Well, she’s at least holding the sword.

However, I would like to point out that the first time Giselle met McDreamy it was raining and she was helpless. And now it’s raining and she’s pretty much coming to rescue him. Balls or not? Symbolism win.

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OK so she saves the dude in distress but isn’t the one to defeat the monster. I guess Disney could only go so far in their feminism for a white girl.

Now that everyone’s safe, they do the old Midsummer Night’s Dream bride swap and Giselle stays in the real world with McDreamy while Nancy runs off to Andalasia with Edward. Which totally makes sense, right? because as Beyoncé said, “If you like it then you should have put a ring on it.” Nancy was in a relationship with McDreamy for five years with no ring. Why shouldn’t she run off with some singing freak Prince she literally just met?

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I”m just pissed she cut her hair.

Makes sense, for sure. Oh yeah, and Nancy steals Giselle’s shoe. The end.

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The obligatory Disney kiss picture. Enjoy the rain!

BONUS TIME!

Let’s play spot the Disney heroine!

  • Jodi Benson appears as McDreamy’s secretary. Jodi provided the voice for Ariel in The Little Mermaid (and also the voice of Barbie in Toy Story 2 & 3).
  • Paige O’Hara appears as a character on a soap opera. Paige provided the voice of Belle in Beauty and the Beast.
  • Judy Khun appears as a pregnant woman with a lot of kids. Judy provided the singing voice of Pocahontas.
  • Julie Andrews is the narrator. Julie played Mary Poppins and appeared as Queen Clarisse in The Princess Diaries.

The Edge of Darkness now available on Amazon.com!

Today I did a search of myself on Amazon.com to see if The Edge of Darkness is available there yet, and guess what?

IT IS!

My beautiful book is available in paperback edition for purchase from Amazon.com.

Amazon

Now the book is available from

I’m going to figure out how to do a Kindle edition as well in the new few weeks, because although you can get a Kindle-friendly version from Smashwords, Amazon.com does have a bigger audience.

The Edge of Darkness Launch and Giveaway Winner!

That’s right, loyal blog followers and random people who just happened to drop by: my first novel, The Edge of Darkness, is now available for purchase.

YAY!

*throws confetti, gives out balloons and cookies and fairy bread etc*

So far it’s available on

but as more options open up I’ll let you know.

Also, it’s time to announce the lucky winner of the paperback edition giveaway!

And the winner, selected from Random.org is:

Gayle!

Congratulations! Look out for an email from me to get your shipping address. Please respond in 48 hours or I’ll be forced to choose someone else.

Thanks to everyone who entered the (very small) giveaway. I’m so pleased that the book is now available.

But there’s no rest for the wicked. As an indie/self-publisher, I need to keep working on putting out new material. Now I’m working on two shorter manuscripts for release later this year: a collection of paranormal short stories, and a Christmas novella. I’m self-publishing them because I believe there is no traditional market for either type of book, but they could still be enjoyed at a lower indie price (I haven’t decided if they’re going to be in paperback yet, just ebook). I want to get the majority of that work out of the way before NaNoWriMo in November – I still haven’t decided which novel I’m going to write for that challenge.

I’m also querying Dadewalker again now that I’ve revamped the query letter, because I believe there is a traditional market for that story.

Just a quick reminder on The Edge of Darkness giveaway

My international giveaway of my first published novel, The Edge of Darkness –  a soft sci-fi dystopian about cyborg former prisoners of war in space and their mutiny aboard an old transport ship – closes in roughly seven hours. For everyone who’s subscribed to my blog recently and not commented on this post, you’re missing out on the chance to win a free book.

The Goodreads giveaway, which ended earlier today, ended up with a whopping 808 requests and 146 adds to to-reads lists. I’m overwhelmed by this attention – although I know a lot of people on Goodreads just want a free book, I’m still a little intimidated by what the genuinely interested people are going to think of it.

The Edge of Darkness will be available for purchase soon in paperback format and in ebook format. I’ll let you know when this happens, so stay tuned.

Disney’s First White Princess in 20 Years: Tangled’s Rapunzel

imageAs I said in yesterday’s post, I love Tangled. It was initially conceived in 2003, released in 2010, and follows the adventures of a young princess who doesn’t know she’s a princess (Rapunzel), and a decent guy pretending to be a ruffian (Flynn). I never really liked the original fairy tale. I found it boring. In this version they actually explain how it’s possible for hair to grow 70 feet (it’s magic). I find Rapunzel the most human and relatable of all the Disney Princesses: she obsesses over small things, get anxiety and fears the big wide world.

Rapunzel’s Fear

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She's armed, uncertain, wary, and dangerous.

However, Rapunzel’s fear is entirely from an outside influence. She’s been raised to fear the world outside her tower for eighteen years. Her mother figure sings an entire song about all the frightening things waiting for her out there, including men with pointy teeth, poison ivy, quicksand, the Plague, cannibals… not only using the outside dangers, Gothel insists that Rapunzel is too “Gullible, naïve… Ditzy and a bit, well, hmm vague…” to handle herself out in the real world. And then just to top off her fear and insecurities, Mother Gothel guilts Rapunzel into staying locked up in her tower by reminding her that she’s the only one Rapunzel’s got, that she raised and loved and fed and nursed Rapunzel and that wanting to leave the tower is no way to repay someone who sacrificed everything to keep her safe.

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The most manipulative of mothers.

Rapunzel, being the good, dutiful, domestic daughter that she is, succumbs to parental pressure and submits to Mother Gothel’s will. Even in the event of Flynn Rider climbing her tower and intruding on her solitude, her first reaction is to keep herself safe by interrogating him to find out if anyone else knows her location. This is the blazing start of Rapunzel’s bravery. She locks Flynn in her closet, impressed with how she handled the situation, and tries to explain upon Mother Gothel’s return that she’s been underestimated and she can look after herself. Mother Gothel, of course, scares Rapunzel into backing off, but Rapunzel appeals to Gothel’s motherly nature by asking for a birthday gift that will take some time to acquire. Now that her mother is out of the way, Rapunzel can talk freely with the ruffian locked in her closet.

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Rapunzel negotiates with Flynn.

Rapunzel’s Bravery

Once Rapunzel and Pascal realise Flynn isn’t there to steal, cut, or sell her hair, the unknowing princess comes up with the bright idea that Flynn can escort her to see the floating lights/lanterns she’s watched from her window every year on her birthday for her whole life. Of course she needs a guide: she’s so wary and intimidated by the outside world, and her mother’s disapproval, that she needs any kind of help she can find. Blackmailed, Flynn agrees to escort her. Now Rapunzel is able to take the first step out of her tower in eighteen years. This is where she really begins to shine.

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Rapunzel's first steps.

First she has a crisis of conscious, which I pretty much find hilariously funny, in which she struggles with her desire for freedom and her wish to keep her mother happy. She outwits the thugs who want to claim the reward on Flynn’s head by appealing to their better nature, she escapes when the guards chase her and Flynn through a dam and she rescues Flynn as well. The two get trapped in an underwater cave, and while Flynn now genuinely seems to care for her, she is, once again, the one to save them with her magical hair that glows when she sings. Who needs an escort? Oh yeah, Flynn does. Rapunzel has rescued him numerous times by now, and healed his injured hand. Seriously. Flynn doesn’t do any rescuing in this film at all. That’s how cool Rapunzel is.

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Rapunzel rescues Flynn from Maximus and develops a strong bond with the horse. Typical Disney Princess animal magnetism.

And then they see the lanterns, which is Rapunzel’s lifelong dream. It’s so pretty. It’s been compared to Bell and Beast’s ballroom scene in Beauty and the Beast. And yes, this is when I start crying. in my defence, it’s because I identify so strongly with Rapunzel and I’m so emotionally involved in the film and also, I only cry when there’s that shot of the King and that single tear running down his face… eighteen years later and he’s still torn up over losing his baby girl.

I'm allowed to be sad at this point!

Rapunzel Returns

Unfortunately, things have to end up going bad somewhere. I mean, a film needs conflict, right? Otherwise we’re watching a film where nothing happens, there are no stakes, there’s nothing to be worried or concerned about… you know, the exact reason Stephenie Meyer wrote James the vampiric tracker into Twilight, so there would actually be something at stake beside Edward Cullen’s virginity.

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Oh yes, I went there.

Mother Gothel is a crafty villain. I don’t often write about the villains in these Disney posts because I focus on the princess, but Mother Gothel often gives the impression she genuinely cares for Rapunzel – I think it would be hard not to care for someone after raising them for eighteen years but hey, some parents here in the real would should be sterilised or licensed or something. Gothel manages to outwit Flynn’s allies/nemesis into working for her to dispose of Flynn, and convince Rapunzel that she was wrong about the world, that Gothel was right, and that everything would be better if Rapunzel just returns to the tower and pretend her little adventure never happened.

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She's wickedly devious and a backstabbing b*tch to boot.

Rapunzel falls into some sort of depression over Flynn’s sudden ‘betrayal’, but she quickly has an epiphany and figures out that she’s the lost Princess the lanterns are lit for… I mean, they share a birthday, a name, the same golden hair and the same enormous green eyes, why did no one else notice Rapunzel was the missing princess? Mother Gothel should have been smart enough to rename and give the princess a new birthday when she kidnapped her, really. I have a hard time Flynn didn’t make the connections necessary but I resolve this by believing Flynn is from an entirely different kingdom and doesn’t know this essential information. When Flynn escapes his captors and comes after her – finally, to rescue her – he is abruptly killed by the very woman Rapunzel trusted her whole life. So yeah… when Rapunzel tries to rescue thing, she’s successful like seventy billion times but Flynn? When he tries a rescue, he gets killed.

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Flynn climbs the tower.

But fear not! Rapunzel can heal injuries with her hair. Cool, right? Except that Flynn, having figured out the entire situation, cuts off her hair before he dies in her arms. Now there is no reason for Rapunzel to stay in hiding, and as an added benefit, Mother Gothel does the typical Disney Falling Villain death. But still, after all the pain and fear and betrayal, Rapunzel can’t help but reach out to her. Because she’s a lovely princess.

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If a little bit daft as the film begins...

Turns out that it’s not just her hair that’s magical. Her tears are, too. in fact, her tears can bring the dead back to life. So Flynn is resurrected – thank goodness not as a zombie – and they go to royal castle and Rapunzel is welcomed back as the lost princess and everyone lives happily ever after.

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YAY KISSING!